Winogrand: Figments from the Real World
Wednesday, February 20th, 2008
Gary Winogrand and John Szarkowski
This massive posthumous retrospective of Gary Winogrand’s photographs includes a detailed biography and critical analysis by John Szarkowski. Winogrand was a prolific - one might say promiscuous - photographer. When he died in 1984 he left a third of a million un-looked-at negatives. This book covers the entire arc of his career, a career that peaked in the streets of New York City in the 1960s.
Winogrand is best known as a street photographer. Street photos from the peak of his career snatch order from chaos and his subjects are almost always unaware of his presence. In contrast, his later street shots are distant and you can tell that his subjects have noticed him; he’s gone from invisible observer to intruder. In a revealing proof sheet from 1961 you can see him working the scene and developing an idea as he attempts, successfully, to photograph a man approaching a woman. In contrast, in a contact sheet from 1982/1983, there’s no evidence of a mind at work: it looks like a collection of soulless surveillance camera stills.
In addition to street photography, the book also contains example of Winogrand’s lonely airport photos as well as a selection of his often-funny zoo pictures. These are photographs of and in the zoo that are about the humans and cages as much as they are about the animals.
As I noted in my comments on “The Man in the Crowd“, Winogrand’s photos of demonstrations and other media events are forgettable; they look like college photographers’ works from the same period.